All Hail Your Shiny New Ambassador, Latexians: Miss Rubber World 2011

“A woman whose smile is open and whose expression is glad has a kind of beauty no matter what she wears.”

~ Anne Roiphe, American Feminist and Author

 

The numeral “five” … is a very good number. It is one of the easiest for grade school students to ‘compute’ when doing their multiplication tables. It’s a convenient unit of currency – eclipsed perhaps only by a nice, round $10-spot or, in some cases, a fatter, newer $20 dollar bill. The number “five” holds significance in most of our daily rituals: everything from designations of degrees on cooking ranges to telling time on clocks are essential, if not completely taken-for-granted, everyday, natural occurrences. “Five”, or multiples thereof, is also an important designation when marking annual events such as birthdays, anniversaries, award ceremonies … and cherished annual events.

Naturally, a 75th Anniversary of a recurring event is a tremendous cause for celebration. Perhaps a 5th Annual Celebration may seem tame by comparison. That is, unless that 5th Anniversary happens to be celebrating the growth and continuous evolution of an exciting new event. Just such a circumstance transpired in New York City, during the Martin Luther King holiday weekend of January 14 – 16, 2011.

It was a little over five years ago, in New York City and in November 2006, that a small but dedicated group captained by long-time latex enthusiast, designer, promoter and New York fetish fixture The Baroness and an ambitious gentleman named Unit1421 decided that the time had come to create a competition that celebrated the allure and sensuality, and advanced the awareness of latex as a truly viable garment medium (and not just for Fetishists). Over the past five years, the competition has been fortunate enough to have had some stellar individuals compete for the title of Miss Rubber World – including such known latex personalities Steffy the Rubber Doll (2008 winner) and Jean Bardot (2009 winner).

According to The Baroness, the competition “really came of age” in 2010. That year was notable because it had “less attitude and more substance”, she said, and featured the work of (then) up and coming latex enthusiast Dawnamatrix, a well-liked and very well respected latex garment designer who calls Rhode Island home. Her journey into rubber life unto itself is incredible: Dawnamatrix spent years teaching in Japan and has become world-renown for her latex Kimono designs, and is viewed within the latex community as the “authority” on producing latex appliqués and overlays on her pieces.

It isn’t a stretch to suggest that Dawnamatrix brought some real positive attention, and some very welcome credibility, to Miss Rubber World in 2010 – she did, in fact, outright win the title. This year, she returned as one of the judges for the 2011 Miss Rubber World competition. Dawnamatrix, according to several sources, was the first contestant who clearly outshone her peers in all three competition segments: the Traditional Catwalk, Question Period, and the piece of latex performance art called Latex Fantasy.

Of the three components to the competition, it is the Latex Fantasy portion that the judges tend to attribute the heaviest opinion regarding their overall decision as to who will become Miss Rubber World. The Catwalk segment, as suggested, does include an element of fetish modeling – but what makes it unique is that it gives the contestants a chance to exhibit creations of their own making, and many Miss Rubber World competitors have manufactured many of their own outfits for the show. The Question Period is vital as it gives the competitors a chance to relate to the judges, and the audience, important answers as to appropriate latex-themed questions – and provides a valuable insight into each of the contestant’s attitude and comportment. The Latex Fantasy, however, is the segment that provides the best opportunity to impress the gathering. This point will become critical to our story a little later on.

The contestants this year for the crown, as outlined above, assembled in New York City amidst an icy, snow-filled cold weather snap. More than just a few of the participants had to battle the ill effects of a determined, and particularly nasty, winter virus. They came together from different parts of the world (mostly the United States) in order to vie not only for the coveted rubber sash traditionally given to the winner of the Miss Rubber World competition, but for an array of impressive prize packages that had been generously donated from admirable fetish fashion and accessory houses across the globe. The list of donations for the Prize Packages reads like a veritable “who’s who” within the global latex community, with corporations from Australia, Austria, Brazil, Canada, Denmark, France, Germany, Hungary, South Africa, Spain, the United Kingdom and the United States all supplying lucrative and impressive prizes for the Crown Winner, as well as the First and Second Runners-Up.

Initially, there were supposed to be eight competitors for the Miss Rubber World sash. Sadly, due to a variety of reasons (mostly illness but in one case because of lost luggage), three of the contestants had to withdraw on the eve of the competition. That left five very beautiful and talented young ladies to figuratively tussle for the covetted Crown. One of the competitors, Toronto’s Archean, had more than just an ugly flu bug to battle. Traveling with her entourage, she had an array of competition outfits and items that she would later admit she was terrified was “going to give them some serious grief at the USA/Canada border.” Needless to say, Archean (and her travel companions Mad Scientist and their lovely and incredibly talented minion, Droidsy) had some anxious moments with Customs Agents once they arrived at the Border Crossing.

“The journey could generously be described as completely miserable,” Archean said. “Not only was I sick the entire way but it seemed like the entire universe was conspiring to make sure we didn’t make it to New York City.” The temptation to relate the entire, sordid details of their epic journey to New York City within this narrative is very strong – but it’s really too good a story for a third-party to relate. Truly, a more horrifying but hilariously-related travel tale related to Miss Rubber World 2011 simply doesn’t exist – but thankfully, Archean (and her beloved life and business partner, Mad Scientist) will be relating that story in its entirely within the pages of their new venture: a fantastic new latex-based website named Rubberlesque. Part of the new website, which will be devoted to introducing new enthusiasts to the joys of rubber life as well as taking an active role in educational opportunities and (somewhat) activist causes by expanding their highly-respected “Knockoff Knockdown” (wherein Archean and Mad Scientist aggressively take to task any number of so-called “designers” who very clearly steal the design ideas and techniques of others) and “Rubber Relationship Advice” concepts, will feature the video footage from Archean’s impressive Latex Fantasy competition segment.

Remember: earlier it was mentioned how important the Latex Fantasy segment was in determining who was crowned Miss Rubber World. It would be a serious disservice to reveal exactly what Archean’s Latex Fantasy performance actually consisted of – suffice to say it was definitely a “wow I didn’t see that coming” moment for all who witnessed it – but what we can say is that, in essence, her performance told her story of her growing interest, and eventual immersion into, rubber fetish expressionism. In short, it was polished, it was professional – and it was brilliant. (Note: The performance will be available for viewing in its entirety soon on the new Rubberlesque website. It will be well worth the wait!) Archean was aided in her performance by talented, well-known and respected rope and bondage artist, the incomparable Lotuslily, who graciously volunteered her time in the spirit of friendship, to render some much-appreciated assistance.

Her performance was also more than enough for the judges to crown Archean as Miss Rubber World 2011 – the first time a contestant from Canada’s largest city has won the sash. Popular New York latex performer Jade Vixen, for the second year in a row, was First Runner-Up and the irrepressible Lydia Lael was Second Runner-Up. The other contestants were Mistress Killspree, a popular club fixture from Boston and Sienna Aldridge, a classically-trained ballet dancer and fetish model/performer from New York City.

“Any of those girls would have been a worthy Miss Rubber World,” The Baroness said. “Lydia Lael was so incredibly cute with her performance! The combination of water with latex always has a lovely appeal. Jade Vixen’s performance was so incredibly intricate, so beautiful. She played to the crowd’s strengths – wearing a hood, putting on stockings, doing some simple things which crowds just love. It was a really close competition.”

“The political part of a competition like Miss Rubber World is unavoidable, but it’s also necessary and very important,” The Baroness continued. “That has been reflected time and again, during Miss Rubber World and in other important competitions. In order to be an effective ambassador – as any title holder is expected to be – you need to be able to play the politics game well. It takes a really exceptional person to overcome some of the solid connections that people can and do make in this life.”

“In the end, Archean might well have not won the sash, it was really that close – but she clearly won everyone over, especially with her performance in the Latex Fantasy. It’s easy to call the Latex Fantasy portion of the competition a ‘talent component’, and to a degree it is – but she showed us something very unique and certainly worthy of being Miss Rubber World. There was no question at the end of her performance, who rose to the top and who the real sash winner would be.”

This year undeniably was special. The Miss Rubber World Competition has evolved – and the bar continues to be raised each and every year. It is becoming one of the “Must Not Miss” fetish events on the annual New York City fetish calendar. The competition is drawing more talented and certainly more complete candidates. “The judges and I felt that this year, the competitors showed us a complete package,” The Baroness said. “Archean’s use of her equipment and her choice in color palette overall was really exquisite. She showed us something that, believe it or not, people in New York City don’t see a lot of especially at fetish events. People don’t want to sit and watch just a beauty pageant: they want to be entertained. Archean was absolutely entertaining.”

One of the most important aspects, and most significant consequences sure to come from Archean’s being awarded the 2011 pink latex sash as Miss Rubber World, is her awareness of the responsibility in becoming an actual ambassador within the entire latex community. “I believe what Miss Rubber World should be is a way to bring new creative people into the spotlight, and I think it’s a big stepping stone. It’s really important to give people an outlet like Miss Rubber World in order to showcase their own creativity.” Archean is also interested in helping to ‘coach’ other potential latex models and enthusiasts who may wish to follow a similar path and compete for such a prestigious sash. One of the things she and her life mate Mad Scientist plan to do to continue to raise a positive footprint and provide a comfortable roadmap for fellow latex fetishists is to continue to write about their own experiences and share their own knowledge with anyone interested. In addition to continuing her exhaustive work schedule as a full partner in Kink Engineering, the company she started with Mad Scientist that manufactures simply the most intricate and expertly-crafted Vac-Beds on the planet, Archean also plans to continue to put the pressure on those unscrupulous design houses who blatantly and unprofessionally expropriate ideas from reputable, good people. “I cannot tell you how impressed we all were, especially me, with Archean’s Knockoff Knockdown efforts,” The Baroness said. “That endeared her to me – it is such a welcome surprise, watching someone else want to take up that challenge.”

The Miss Rubber World 2011 competition was Archean’s first excursion to New York City – and she simply can’t wait to go back. “I knew no matter what happened, the outcome was going to be magical and an amazing story”, she said. While she and Mad Scientist didn’t have a tremendous amount of time to sight-see in The Big Apple, she did profess amazement with the myriad of Art Deco architecture and fixtures they were able to see. “New York is certainly the perfect city to be in and be in love,” she said. “Next time, I will get my carriage ride in Central Park!”

When she does return and claim that carriage ride, it will be as a Queen – and may her reign be spectacular, glorious … and indeed, memorable.

Kardynyl SynysTyr

(All photos courtesy of Miss Rubber World 2011 and Photographer Judith Stephens. All Rights Reserved.)

Dance of the Afflicted: Five Days of Torture Garden Toronto

“Every new beginning comes from some other beginning’s end.” ~ Seneca

Great undertakings are often brought to completion in one of only two ways: They are either enormously successful, or they result in dismal collapse and failure. More often than not, especially due to outside influence, unforeseen situations and destructive occurrences beyond one’s control, grand visions and ideas can soon become nothing more than ill-fated, poorly-advised, badly executed, and dismally-failed shattered dreams.

What was a triumphant, exciting new entrant into the major fetish event scene in North America a scant nine months ago had all the potential to follow along the train-wreck rails of so many promising, preceding ventures. To wit, this particular event could very well have been of the “one and done” variety, were it not for the solid efforts of its main motivating force, and organizational master.

It is with great pleasure and a huge, satisfactory sigh that Your Humble Narrator and Only True Friend can confidently and righteously say that the second (and most ambitious) iteration of Toronto’s eagerly-anticipated Torture Garden Fetish Event was very much the former, and very little of the latter. It is safe to say, right here and right now, that as of May 2010, the longer-established “lifestyle” conventions, events and weekends have some serious competition for Fetish Festival attendee dollars in North America.

It is doubtful that anyone could have predicted that a single evening’s debauchery a little under a year ago (Torture Garden was initially welcomed to Toronto in August 2009) would have a meteoric evolution into an unbelievable five-night celebration of sinful excess. Anyone, that is, with the notable exception of the event’s organizational workhorse, Craig Galbreath. Even the two founders of the Torture Garden “franchise movement”, David Wood and Allen Pelling, were initially skeptical two full evenings of Toronto back-to-back fetish nights bearing the iconic Torture Garden masthead would be well-attended and wildly popular – let alone stretching the festivities into a five-day affair. “What Craig has done here is unmatched. It’s astounding, really,” a somewhat visibly subdued DJ David Wood remarked during a break between his sets on the Opera House stage. “When he told us he wanted to do a whole holiday weekend of Torture Garden (in Toronto), we weren’t really thinking he was serious at first. We had counted on another, successful one-night show: Craig gave us more. Hat’s are off to him. He’s worked very hard. He’s gained our confidence, for certain.”

Since Torture Garden Toronto said farewell to honoured guests, featured performers and satisfied delegates during a wonderful (if somewhat unseasonably warm) outdoor Wine and Cheese party on Victoria Day (May 24th, a national holiday in Canada), Your Humble Narrator has been inundated with queries – and demands – regarding when a full assessment and commentary regarding the near week-long festival would be produced, and made available for discerning eyes and ears. After taking some time to speak with several involved participants and excited attendees alike, a top to bottom review of the diabolically delicious pageantry that was Torture Garden Toronto 2010 is what follows.

Torture Garden, the Good:

The Music: Where does one start? There were truly so many superlatives about Torture Garden Toronto that it’s truly impossible to pick out a single, exceptional and definitive moment to call “The Best of Show”. What can be said as an appropriate beginning, however, is the quality exhibited by the event’s founders and chief musicologists, David TG and Allen TG (yes, the very same twosome mentioned above). During the two main event nights at Toronto’s old and oddly appropriate venue known as The Opera House, the rave reviews for the selection and expert transitioning of music by the disc jockeys inhabiting the stage were virtually universal.

In fact, “quality of music” has always been somewhat of a complaint regarding Toronto’s nightclub scene: more often than not, revelers are disappointed that Toronto DJ’s tend to exhaustively spin the recordings that they (the DJ’s) think their public should enjoy dancing to – whether their public likes what they are spinning, or not. Dance junkies don’t usually care if they’re force-fed repeated volumes of the same aural fare, of course. However, the consistent and exceptional quality of music that was offered to the writing masses at Torture Garden Toronto is worth noting. David and Allen know their business, of that there is no question, and it is I believe a significant reason as to why the Torture Garden franchise has been so successful for the past twenty-odd years.

Give the people great music, and professionally presented, and the “eye candy” aspect becomes somewhat incidental. All through Saturday and Sunday evening’s main events at The Opera House, the dance floors – hell, the upper level dungeon/play spaces and media balcony even – were a happy, roiling mass of fervently delirious feet and expressively ecstatic, feverish bodies. People had wondered (last year and this year both) why David and Allen would come all the way to Toronto and “work” their own franchise party. The answer, now, we definitely know. It’s because they’re the best at what they do. They keep the people excited, happy, and most importantly, moving. It is here, without question, that the winning formula has been forged by the founding fathers of TG: Combine great music with exceptional atmosphere and top it all off with the most delicious aforementioned eye candy assembled, and you have the recipe for the perfect party.

The Performances: Almost all of the performances during Saturday and Sunday evening’s main events were quite spectacular. More will be said about RubberDoll a little further on, but her two performances definitely thrilled those who hadn’t been exposed to her act before. Those that had seen her previously, well … suffice to say it would appear from comments in the crowd that her act really hasn’t changed much in the past year (or more). That being said, RubberDoll is a seasoned, professional fetish performer and she certainly didn’t disappoint. She wasn’t appearing to be “simply going through the motions”, as she gave a high-octane, savagely energetic showpiece that titillated and teased the assembled crowd gasping at the contortions and machinations taking place on the stage above.

In addition to the excellent standard set by RubberDoll, the Fire Dance set and the Aerial Performanceswere both awe-inspiring and mind-altering. There is a genuine sense of great enjoyment when one is able to bear witness to the circus-like precision exhibited by those that dance with fire, and those that twist, turn and (sometimes) twirl high above the ground floor with nothing between them and oblivion but a simple, sturdy hoop or a seemingly thin and suspiciously fragile-looking long length of cloth. No-one who saw these performances went away feeling like they’d been somehow denied their money’s worth.

Highly effective and somewhat discomfort-level causing flesh hook suspension artists I Was Cured returned to the Torture Garden stage after a shockingly triumphant “debut” at last year’s event, and once again judging by the amount of gasps, groans and excited whispers in the crowd they were once more enthusiastically embraced and cheered by an adoring, entranced and spellbound viewing public. Sunday evening featured a fun and definitely “Beach Blanket Kinko” campy demonstration performance from Toronto’s own Kink Engineering, who managed to convey to an (at first) somewhat puzzled crowd exactly what it is about “Vac Beds” that is so damned appealing and ultimately desirable. Mad Scientist and Archean, the undeniably brilliant brains and frenetically enthusiastic minds behind Kink Engineering, unveiled their (sure to be) revolutionary Vac Cube and Vac Tower designs to the very enthusiastic onlookers. In essence, the Vac Cube and the Vac Tower are “three-dimensional” Vac Beds: instead of a dual top and bottom only, decidedly flat-surface bondage effect (what those in the ‘know’ have come to regard as ‘traditional vacuum table technology’), these brand-new product offerings actually encase the imbedded subject within six separate, converging latex pieces. While the crowd enthusiastically whooted and whooped as Archean herself became immobilized by her own latex creation (which was beautifully adorned with a blue and white Japanese wave motif – more on that later), Mad Scientist was joined onstage by a gas-masked unidentified female, who promptly climbed inside the Vac Tower and for all intents and purposes, “disappeared”. The reason for the gas mask soon became absolutely apparent: as the Vac Tower was raised above the stage, and the air was removed by a small canister vacuum cleaner on the floor below, the six-sided latex cube quickly revealed the young lady literally suspended in mid-air (or, in this case, mid-rope) within. The gas mask was revealed to be attached to a breathing hose that was connected to the outside world – ensuring that the bound beauty within wasn’t about be locked in a life and death struggle for precious oxygen. When the Vac Tower was finally lowered to the stage, and the masked female was “released” from her rubber bindings, it was (of course) the incomparable rope and suspension artist Lotuslily who was revealed to have been the masked “victim” of the imposing Vac Tower. Sure, it was ‘camp couture’ at its best: but it was also an extremely effective (and fun!) demonstration of the capabilities of the units designed and manufactured by Kink Engineering. In that regard, the performance was a resounding, and much appreciated, success.

Some other established performers were given prime spots in the performance line-up, and they certainly didn’t disappoint. Satomi, The Tokyo Love Doll and Vivid Angel in particular both stunned and thrilled the crowd with displays that certainly broke many of the bonds of convention. There was even a playful bit of intentional controversy (which won’t be discussed here) that was surely designed to send the crowd into whispered frenzies of shock and amazement. Suffice to say that if you do have an opportunity to see Satomi and Vivid Angel in particular, don’t miss it: those two ladies put on one hell of a performance.

The Fashion Shows:  With the addition of Northbound Leather, the fetish fashion ensembles were extremely fresh and generated a huge amount of over-the-top excitement. Northbound Leather’s designs, when the models took to the stage, were described immediately by one American visitor (from Michigan) as “completely sick” and definitely in the “I must have that” categories. Northbound was joined onstage in short order by exceptional, delicious ensembles from design houses Futurstate, Plastik Wrap and Artifice – each one with their own unique signature and style, and each one enthusiastically endorsed by an adoring public in the gathered audience below.

However, as good as Northbound Leather, Futurstate, Plastik Wrap and Artifice was, it was Toronto’s Ego Assassin that literally brought the house down. In what was the best choreographed and well-performed set of the entire Torture Garden experience, James and Slinka of Ego Assassin managed to combine an aquatic theme with an industrial edge, and gave their viewers truly a visually explosive treat. The audience was treated to another instance of the blue and white Japanese wave – this time as a smaller scale artistic treatment featured on the front of a corset adorning the bodice of a slender, lithe latex-blue female “shark”. The motifs are a trademark of Ego Assassin’s work: and there simply isn’t anything in the known fetish world that compares. Their process is unique and revolutionary (and no, I won’t give it away here, although even James and Slinka say it’s surprisingly straight-forward), and the final product is truly amazing. It is one thing to see these intricate latex designs and motifs static and unmoving on a production table, or within staged photographs. It is quite another to see those designs literally come to life, on stage, when worn by exotically-moving models and dancers. By the end of their fashion segment, the crowd below the stage was screaming in unrequited approval and amazement when two black latex “sea insectoids,” each with misshapen glowing eyes, entered and accosted one of the aquatically finned lithe females. The entire segment, truly, had to be seen to be believed. As Ego Assassin continues to develop and evolve their product lines, their designs are sure to be regarded as highly in demand by latex enthusiasts world-wide.

The Seminars: In somewhat of a risky move, Torture Garden Toronto sponsored a series of seminars that were simply expertly organized and executed by Toronto’s own Lord Morpheous. I venture to say, with extreme confidence, that there are few (if any) more engaging, knowledgeable and exceptional rope work educators within our realm. Three of the seminars were held at the host hotel (Sheraton Centre) on the Saturday afternoon, and two others were held at another, less central location on the Sunday.

One of those seminars – one which Your Humble Narrator had witnessed before, in Montreal during the Fetish Weekend – was conducted by a man named Dunter and focused on the finer aspects of controlling someone using Pressure Points on the human body. Due to a scheduling conflict, our little entourage (which included the lovely Mistress Lyn, her devoted, talented husband and “personal photographer” SJoe from New York, and a fresh young female acolyte new to our Community known as Severne) arrived at the very end of Dunter’s allotted time – but judging by the rave reviews expressed by all present, there was no question that, once again, this impressive and extremely talented educator from Montreal had held his audience (you’ll pardon the phrase, of course) “captive”. He made a new cabal of devotees in Toronto with his effectual and effusive, genial and extremely effective teaching style.

A rising star on the “Kinky Lecture Circuit” appeared in the form of a young gentleman who goes by the simple moniker of Cub Dan, and his engaging and delightful seminar on how to use regular household items (and some eyebrow raising “irregular” household items) as sensation implements for SM play was both incredibly insightful – and extremely entertaining at the same time. Watch for this man: he’s truly something special as an educator. Just don’t let him anywhere near you with a ring of steel wool, electrode attachments, a vibrating wood sander or a bottle of Hot Sauce if you can help it. He’s impressively adept at perverting (pretty much) anything – and safely – he can get his hands on.

Lord Morpheous himself ended a near-perfect and enjoyable afternoon with a fantastic talk, demonstration and audience participation lecture on Sex Bondage. He was joined, with perfect fluidity, by a beautiful and completely engaging young lady by the name of elle who served as the subject for the various ties Lord Morpheous was teaching. She wasn’t just a model: during the seminar she gave some extremely valuable and much-appreciated insight, from a bottom’s perspective, about what she was experiencing as she was being restrained. There is a reason why Lord Morpheous, in my opinion, is one of the most sought-after facilitators in North America: not only is he an experienced and truly fantastic rope artist, but he’s enjoyable and engaging to watch and listen to.

What was most impressive, about all three of these presenters, was how well their audience retained the knowledge they had just obtained. Being able to walk out of a room and be able to perform, safely and with complete confidence, a pressure point takedown; a ‘shocking’ Karaoke performance (sorry, you’ll just have to take one of Cub Dan’s classes to truly want to know what I’m talking about – but it involves electrodes, a microphone and steel wool if you must know); or a chicken-wing tie, is assuredly the mark of a true professional. All three men could be thusly, and accurately, described. Unfortunately, time and distance did not allow our little group to review the other two seminars scheduled that weekend – but if the three we were exposed to are any indication, I’m sure they were every bit as informative, fun and superb.

The Atmosphere: Choose an adjective, and chances are it applies to the over-all mood, feel and attitude of Torture Garden party-goers. Electric? Mysterious? Adrenaline-laced? Frenetic? Vibrant? All of the above? If there was one single word to be used as a definitive summary of the Torture Garden Toronto experience, it would without question have to be: “Alive” There can be little doubt; those who bid adieu to the ceremonies in 2010 have already started making plans to be in attendance at the 2011 event.

Torture Garden, the Bad:

Torture Garden Toronto officially got underway with a welcoming event on Friday evening. There isn’t much to say about the venue, unfortunately: our entourage spent almost the entirety of the evening outdoors, on the sidewalk near the front door. So did many, many others who ventured out that night. At one point, it truly was a toss-up as to which had the greater numbers: the party going on inside the venue, or the party happening outside.

Not that it mattered. This must be stressed: there were very, very few complaints regarding the unfortunate lack of space this particular venue provided indoors. People who showed up, dressed in all their fabulousness in respective latex, leather, satin, PVC and even canvas, to a person had a most enjoyable time meeting with old friends, and perhaps making new ones. However, there were certainly issues with this particular venue (regarding the understanding of rules at the outset of the evening) that did put quite a damper on the hopes of those whom had hoped to spend Opening Night comfortably dancing and cavorting indoors.

In simple terms, the venue was just too small – and the House Rules of this particular club simply too incompatible – to completely, comfortably accommodate the mass of Torture Garden attendees that did manage to make it down for the night. Undoubtedly, there had to be certain numbers of patrons who had purchased a VIP or a weekend pass that may have felt disappointment regarding Friday night and the fact that they (most likely) spent most of the evening outdoors instead of within the venue. But here’s the caveat, and the wondrous thing: the majority of people (including our own entourage) really didn’t seem to mind. It wasn’t the venue that made the party on Friday night: it was the people. Everyone was ecstatic to be there, amongst their peers – and it showed.

Torture Garden, the Ugly:

Last year, it was somewhat jokingly suggested that the only glaring thing wrong with Torture Garden’s main event … was the condition of the stairs on the upper levels. The owners of The Opera House should have heeded those somewhat tongue in cheek comments, because this year, those stairs actually continued to be a problem. Thankfully, the extent of the issue with the upper level stairs at The Opera House (and the grumbles were constrained, it must be said, to the upper levels only) really could only be considered minor in scope. Every organizer, though, that is contemplating mounting a major fetish event should consider that their guests will be adorned in very high-priced fetish haute couture that includes very expensive outerwear and footwear. It would be in their best interests if the interiors of the venue they were providing (for said finery) actually didn’t contribute in any way to the destruction of these delicious ensembles. In complete fairness to Craig Galbraith, the main mover and shaker of Torture Garden Toronto, there simply wasn’t anything he could have done better to guarantee the safety and security of his guests – the entire event, from the three nights of parties, to the seminars and to the farewell dinner afterwards, were meticulously organized and exceptionally managed. This writer can attest to the fact that Mr. Galbraith did absolutely everything within his limited power to try and address the (relatively simply) issue of those damned stairs – but obviously was ultimately thwarted. Maybe next year, Craig?

Speaking of next year: Torture Garden 2011 should be very interesting. It will certainly be hard for Craig (and David and Allen, for that matter) to top the five days of twisted and feverish consensual torment that was this year’s fantastic fetish festival. Torture Garden continues to evolve and evoke wondrous new beginnings. People will come – because Torture Garden simply gives the masses want they want: a fabulous time, a memorable experience, and a chance to express themselves without repercussion amongst their peers.

Really, to quote the immortal George and Ira Gershwin: ‘Who could ask for anything more?’

(All Photographs by SJoe, Lady Morganna and Kardynyl SynysTyr – Courtesy of Torture Garden Toronto 2010) (Images may not be reproduced without express written permission)

(Note: Photographs do not necessarily correspond with accompanying text)

Burlesque Star Red Hot Annie

Von Gutenberg Magazine recommends Red Hot Annie!

A few weeks ago, von Gutenberg recommended the Texas Burlesque Festival.  Today, we have a chance to get to know one of the participants: Red Hot Annie. 

Red Hot Annie, who hails from Chicago, is not only coming to the Texas Burlesque Festival for the second year in a row, but she also has a unique knowledge of the workings of such festivals.  Her appearance in Texas comes just one week after her own Vaudezilla Productions teamed up with Chicago’s Belmont Burlesque Revue to present the first-ever Windy City Burlesque Fest.  The festival was met to rave reviews and even as this year’s festivities were dying down, Annie was already coming up with ideas for next year’s.

Annie burst onto the Chicago burlesque scene just over two years ago, having come from an extensive performance background and several years’ worth of pinup, figure, and fetish modeling. She has worked with some of Chicago’s top photographers, developing a reputation for her professionalism and eye for what works.

Just six months into her burlesque career, Annie joined forces with her partner Dick Dijon to create Vaudezilla Productions. They came up with Vaudezilla’s concept when they realized that they wanted to provide Chicago with much needed performances opportunities, and provide they did. In short order, they established Vaudezilla as the premiere source for free burlesque shows in Chicago – with a weekly bar-top show at Blue Bayou and a monthly show at Exit – as well as setting a new standard for theatrically-inspired burlesque shows.  Their critically-acclaimed box office smash hit, “Rollin’ Outta Here Naked: A Big Lebowski Burlesque,” will be back for a second year with a bevy of Chicago burlesque performers and hopefully a few familiar faces from across the country.  Along with team members Wham Bam Pam, Donna Touch, Maria May I, Barret All, RenZena, and Trixie Sparx, Annie has positioned Vaudezilla as a major force in Chicago burlesque.

As for Annie herself, she has been raising her profile by making appearances all across the United States.  In addition to her second appearance in the Texas Burlesque Festival, she will be appearing for the second year in a row at the Vancouver International Burlesque Festival.  And in just the first few months of 2010, she has made appearances in Detroit, Grand Rapids, Kansas City, Milwaukee and Nashville. With more than a few cities left to visit, Annie has her sites set on more national and international touring within the year.

Wherever she goes, Red Hot Annie brings with her a unique style of burlesque that fuses storytelling, humor, and sexiness all in one stunning package.  Drawing on her theater background, Annie strives to put a distinctive character stamp on each of her acts.  Fans have come to expect a variation from Annie, both in costume and performance style. She has been a damsel in distress who finds a clever way to get someone to fill her tank, a hot dog vendor who turns lemons into lemonade when her business meets with an unexpected end, and a penguin. 

You never know what you’re going to see when she performs, but you can always be guaranteed one thing…Red Hot Annie always knows how to make the wieners boil!

Burlesque is one of the most famous sub-genres of fetish and well established globally from the Crazy Horse in Paris to endless bars and parties throughout the US. We always love to blog about this topic, which is dominated in the US also by the name Dita von Teese, Burlesque Star and Fetish Model.

If you are looking for some fashion items for your next visit to a Burlesque or fetish Event simply go to our fashion couture website from Von Gutenberg Couture: www.vongutenbergcouture.com

Slipping into An Alien Skin: The Magic of Ego Assassin

“Always be yourself… unless you suck.” ~ Joss Whedon

Great ideas – along with great people – are born of strong personal beliefs and convictions. The quote above isn’t exactly the kind of “corporate rallying cry” one might expect to see printed in 10-foot tall letters on billboards, let alone trumpeted loudly via mass-media marketing vehicles such as radio, television and even the Internet. Yet, there is simplicity in the statement; one that must surely resonate with most of us who have any kind of self-importance.

Be honest: we all have an ego to satisfy. Some of us (quite obviously) need to be vetted and fussed over more than others. For instance, Your Humble Narrator and Only True Friend is quite comfortable and secure in the knowledge that you all love me.

Perhaps it is appropriate, then, that our focus for this episode of “Kardynyl SynysTyr’s Fabulous Fetish Fancies” features an up-and-coming design studio whose very name just so happens to literally refer to the cold, hard death of one’s smug self-assuredness.

You may have heard of them. You may already love them. There is no question, if you’re even the slightest admirer of all things ‘latex’ you’ll be wanting a piece from them at some point. They’re known in latex enthusiast circles as Ego Assassin, and all tongue-in-cheek references to anyone’s sense of “self-importance” aside, what they do is nothing short of astounding.

Their friends know them as James and Slinka. Both of them are the brains, the passion and indeed the very industriousness behind what (I believe) is sure to be a revolution within the latex fashion world. Sure, there are certainly other designers out there who are (for now) far more known, publicized and patronized. Your Humble Narrator says this in all solemnity: I have been around latex fashions and latex wear for a very, very long time. These eyes have never beheld the artistry and the workmanship that is so expertly exhibited in the work of the Ego Assassin duo.

So, what’s in a name, anyway?

“Our name and our concept come out a personal belief that our personalities are not fixed,” James told me during a visit to their studio recently. “We all have the ability to adjust and change, if we want to. Anyone can set their ‘ego’ aside and go completely into a different head space.”

“Basically, when you wear one of our pieces, we want you to feel like you’re literally slipping into another skin. You can be anything you want to be; an entirely different character,” James said. “If you believe you’re a goddess or an alien creature (wearing one of our creations), then you’re a goddess or an alien. The medium and the philosophy can fit together really nicely.”

In essence, then, the combined words “ego assassin” are meant to emulate a personal attitude: to wit, a positive, sensual transformation as opposed to any negative, assumed verbal evisceration usually associated with the haughty and self-indulgent club crowd.

In point of fact, James and Slinka are somewhat “obsessive”, if we’re telling the whole truth. They’re both absolute perfectionists when it comes to their work. Simply put, the hand-crafted, painstaking detail that is put into each one of their creations ensures that each and every customer is going to get a truly, unique and exceptional piece – regardless of whether that particular piece is part of their design inventory or not. It is this industrious dedication to quality (very much like their good friends and symbiotic partners, Elastica Engineering, who supply Ego Assassin with a superior quality of high-tensile sheet latex) that somewhat sets Ego Assassin apart from any other latex garment design studio.

I say “somewhat” for good reason, here. There is another aspect of James and Slinka’s work that puts their craftsmanship on a whole other plateau when compared to their peers in the industry.

While James is very clear in stating that “they really don’t have any trade secrets” that he feels needs protecting, it would be a serious disservice to describe in detail the one area of perfection in which Ego Assassin has definitely developed a loyal and dedicated clientele. Friends and customers who have been fortunate enough to have been offered a “sneak peek” at the line-up being currently constructed for Toronto’s Torture Garden Weekend (May 21 – 24) have been amazed at the quality of the images printed onto the rubber material as a signature feature of their collection for the Fashion Show. One such piece, which has been photographed and posted on a few fetish-related websites already, features a near-flawless, ‘color-favorable’ copy of The Great Wave by legendary Japanese artist Katsushika Hokusai (1760 – 1849) across the front bodice of a latex corset. It is but a small and yet staggering taste of the artistry that is so integral to the reputation of James and Slinka as truly formidable garment designers.

Naturally, there are dozens of other printed patterns and designs that have been produced by Ego Assassin over the past several months (“Through a hell of a lot of trial, error, anger and heartache,” James recounts with a half-smile). Once the process and procedure for creating the designs, images and patterns on the latex had been perfected, naturally the rapid interest in their product lines began to grow. The one thing James and Slinka refuse to compromise on is the commitment to quality through patient design, printing and construction processes. “We don’t hide our process, and while it’s really pretty simple it’s also very labor intensive,” Slinka said. “We have no interest in mass production. We’re in an industry where customers are extremely passionate about their clothes. We want them to know that we’re equally as passionate about making them as they are about wearing them. ”

There are certainly other successful latex garment designers throughout North America – and Europe, for that matter. Some entities (specifically in the New York and Montreal areas) have been in business for years, if not decades. However, the universal truth here is that many of those companies tend to produce product that has become somewhat “standardized”. In short, the variance in artistic style, and even quality, has varied little from company to company. Many of those “more established” design houses rely on repeat business from loyal customers merely due to the simple, convenient fact that competition for “name brand” product isn’t exactly fierce. Very few latex garment enthusiasts are 100% completely loyal to one particular brand, for instance.

It is exactly the very uniqueness of the Ego Assassin product that sets distinguishes them from the competition. While they too will build garments for “everyone from hardcore fetishists to soccer moms”, it is their momentous decision to commit to the superior formula being produced exclusively by Elastica Engineering combined with their own without-peer design and artistic skills that truly will make them (if they aren’t regarded as already) the absolute best in the business. That’s quite an accomplishment in such a relatively short period of time.

Their personal story, about how they came to be as a couple, couldn’t be exactly billed as “typical”. As it happened, they met while doing some modeling work. “My first thought of him was, ‘that boy spends way too much time on his hair.” Slinka said of James with a smile. “I mean, boys don’t wear make-up, right? I wasn’t sure I wanted to date a boy who might spend more time in front of a mirror than I did.” A chance meeting at a fetish event a short time later, some shared beverages and a mutually enjoyable conversation led to the discovery of a mutual interest in fetish wear – and specifically, latex. James, who had for years been employed as a professional artist in some capacity, was given the task of making his new lady-love a “one of a kind rubber dress” in the way of a somewhat playful challenge from Slinka herself. Little at that time did either of them realize that a white latex one-piece dress that featured a large “handcuffs” motif across the chest area would quickly lead them both toward the design adventure of their young lives. “It was really quite crude compared to what we’re doing now,” Slinka laughed. “But I wore that dress until it was eventually no longer recognizable as ‘white’, and it was falling apart.”

The white “Handcuff Dress”, as they called it, garnered a tremendous amount of attention at the huge annual Northbound Leather fetish extravaganza that year. “So many people were asking us ‘wherever did we find that dress,” James said. When fellow revelers were informed that James had, in fact, crafted the dress himself, the requests for product started coming immediately. “We even took a couple of orders while out on the dance floor,” he said. That fateful Northbound Leather event (titled, somewhat appropriately ‘Climax’) was five years ago. Ego Assassin, for all intents and purposes, has therefore been “in business” for a little less than five years.

Both James and Slinka credit the immensely popular and respected “Fetish Diva” Midori and Toronto promoter extraordinaire Craig Galbraith of Subspace and Torture Garden fame with being amongst their first true champions of their work. “In the first few years, there wasn’t a real lot of interest in us, especially in our own back yard,” James said. “But thanks to word of mouth from Midori and Craig especially, we really started to develop a loyal following and customer base.”

The quality of their product line has obviously and dramatically improved. Some of their more popular pieces – printed tops, their in-demand “Reverend” Bondage Skirts and a variety of mind-boggling dresses – have garnered attention in some very high profile camps. Their designs have been featured prominently in the Japanese edition of Vogue (Vogue Homme) magazine, and thanks to the enthusiastic endorsements of an admired and in-demand fashion stylist named Nicola Formichetti and the highly-respected fashion photographer Stephen Klein, orders have been placed for no less a talent than Lady Gaga for product that was to be seen in one of her over-the-top popular music videos (Bad Romance). Some of the Ego Assassin pieces were even targeted for use in some of Lady Gaga’s live stage performances.

Good stories about good, talented people usually end with a typically cliché commentary about the past. It cannot be said, though, that “the rest is history” in this particular instance: Ego Assassin is still revolutionizing the latex fashion industry and have started making history. You’ll be hearing about them for a long, long time to come.

Kardynyl SynysTyr

(All Photographs courtesy of Ego Assassin)

Slipping into An Alien Skin: The Magic of Ego Assassin

“Always be yourself… unless you suck.” ~ Joss Whedon

Great ideas – along with great people – are born of strong personal beliefs and convictions. The quote above isn’t exactly the kind of “corporate rallying cry” one might expect to see printed in 10-foot tall letters on billboards, let alone trumpeted loudly via mass-media marketing vehicles such as radio, television and even the Internet. Yet, there is simplicity in the statement; one that must surely resonate with most of us who have any kind of self-importance.

Be honest: we all have an ego to satisfy. Some of us (quite obviously) need to be vetted and fussed over more than others. For instance, Your Humble Narrator and Only True Friend is quite comfortable and secure in the knowledge that you all love me.

Perhaps it is appropriate, then, that our focus for this episode of “Kardynyl SynysTyr’s Fabulous Fetish Fancies” features an up-and-coming design studio whose very name just so happens to literally refer to the cold, hard death of one’s smug self-assuredness.

You may have heard of them. You may already love them. There is no question, if you’re even the slightest admirer of all things ‘latex’ you’ll be wanting a piece from them at some point. They’re known in latex enthusiast circles as Ego Assassin, and all tongue-in-cheek references to anyone’s sense of “self-importance” aside, what they do is nothing short of astounding.

Their friends know them as James and Slinka. Both of them are the brains, the passion and indeed the very industriousness behind what (I believe) is sure to be a revolution within the latex fashion world. Sure, there are certainly other designers out there who are (for now) far more known, publicized and patronized. Your Humble Narrator says this in all solemnity: I have been around latex fashions and latex wear for a very, very long time. These eyes have never beheld the artistry and the workmanship that is so expertly exhibited in the work of the Ego Assassin duo.

So, what’s in a name, anyway?

“Our name and our concept come out a personal belief that our personalities are not fixed,” James told me during a visit to their studio recently. “We all have the ability to adjust and change, if we want to. Anyone can set their ‘ego’ aside and go completely into a different head space.”

“Basically, when you wear one of our pieces, we want you to feel like you’re literally slipping into another skin. You can be anything you want to be; an entirely different character,” James said. “If you believe you’re a goddess or an alien creature (wearing one of our creations), then you’re a goddess or an alien. The medium and the philosophy can fit together really nicely.”

In essence, then, the combined words “ego assassin” are meant to emulate a personal attitude: to wit, a positive, sensual transformation as opposed to any negative, assumed verbal evisceration usually associated with the haughty and self-indulgent club crowd.

In point of fact, James and Slinka are somewhat “obsessive”, if we’re telling the whole truth. They’re both absolute perfectionists when it comes to their work. Simply put, the hand-crafted, painstaking detail that is put into each one of their creations ensures that each and every customer is going to get a truly, unique and exceptional piece – regardless of whether that particular piece is part of their design inventory or not. It is this industrious dedication to quality (very much like their good friends and symbiotic partners, Elastica Engineering, who supply Ego Assassin with a superior quality of high-tensile sheet latex) that somewhat sets Ego Assassin apart from any other latex garment design studio.

I say “somewhat” for good reason, here. There is another aspect of James and Slinka’s work that puts their craftsmanship on a whole other plateau when compared to their peers in the industry.

While James is very clear in stating that “they really don’t have any trade secrets” that he feels needs protecting, it would be a serious disservice to describe in detail the one area of perfection in which Ego Assassin has definitely developed a loyal and dedicated clientele. Friends and customers who have been fortunate enough to have been offered a “sneak peek” at the line-up being currently constructed for Toronto’s Torture Garden Weekend (May 21 – 24) have been amazed at the quality of the images printed onto the rubber material as a signature feature of their collection for the Fashion Show. One such piece, which has been photographed and posted on a few fetish-related websites already, features a near-flawless, ‘color-favorable’ copy of The Great Wave by legendary Japanese artist Katsushika Hokusai (1760 – 1849) across the front bodice of a latex corset. It is but a small and yet staggering taste of the artistry that is so integral to the reputation of James and Slinka as truly formidable garment designers.

Naturally, there are dozens of other printed patterns and designs that have been produced by Ego Assassin over the past several months (“Through a hell of a lot of trial, error, anger and heartache,” James recounts with a half-smile). Once the process and procedure for creating the designs, images and patterns on the latex had been perfected, naturally the rapid interest in their product lines began to grow. The one thing James and Slinka refuse to compromise on is the commitment to quality through patient design, printing and construction processes. “We don’t hide our process, and while it’s really pretty simple it’s also very labor intensive,” Slinka said. “We have no interest in mass production. We’re in an industry where customers are extremely passionate about their clothes. We want them to know that we’re equally as passionate about making them as they are about wearing them. ”

There are certainly other successful latex garment designers throughout North America – and Europe, for that matter. Some entities (specifically in the New York and Montreal areas) have been in business for years, if not decades. However, the universal truth here is that many of those companies tend to produce product that has become somewhat “standardized”. In short, the variance in artistic style, and even quality, has varied little from company to company. Many of those “more established” design houses rely on repeat business from loyal customers merely due to the simple, convenient fact that competition for “name brand” product isn’t exactly fierce. Very few latex garment enthusiasts are 100% completely loyal to one particular brand, for instance.

It is exactly the very uniqueness of the Ego Assassin product that sets distinguishes them from the competition. While they too will build garments for “everyone from hardcore fetishists to soccer moms”, it is their momentous decision to commit to the superior formula being produced exclusively by Elastica Engineering combined with their own without-peer design and artistic skills that truly will make them (if they aren’t regarded as already) the absolute best in the business. That’s quite an accomplishment in such a relatively short period of time.

Their personal story, about how they came to be as a couple, couldn’t be exactly billed as “typical”. As it happened, they met while doing some modeling work. “My first thought of him was, ‘that boy spends way too much time on his hair.” Slinka said of James with a smile. “I mean, boys don’t wear make-up, right? I wasn’t sure I wanted to date a boy who might spend more time in front of a mirror than I did.” A chance meeting at a fetish event a short time later, some shared beverages and a mutually enjoyable conversation led to the discovery of a mutual interest in fetish wear – and specifically, latex. James, who had for years been employed as a professional artist in some capacity, was given the task of making his new lady-love a “one of a kind rubber dress” in the way of a somewhat playful challenge from Slinka herself. Little at that time did either of them realize that a white latex one-piece dress that featured a large “handcuffs” motif across the chest area would quickly lead them both toward the design adventure of their young lives. “It was really quite crude compared to what we’re doing now,” Slinka laughed. “But I wore that dress until it was eventually no longer recognizable as ‘white’, and it was falling apart.”

The white “Handcuff Dress”, as they called it, garnered a tremendous amount of attention at the huge annual Northbound Leather fetish extravaganza that year. “So many people were asking us ‘wherever did we find that dress,” James said. When fellow revelers were informed that James had, in fact, crafted the dress himself, the requests for product started coming immediately. “We even took a couple of orders while out on the dance floor,” he said. That fateful Northbound Leather event (titled, somewhat appropriately ‘Climax’) was five years ago. Ego Assassin, for all intents and purposes, has therefore been “in business” for a little less than five years.

Both James and Slinka credit the immensely popular and respected “Fetish Diva” Midori and Toronto promoter extraordinaire Craig Galbraith of Subspace and Torture Garden fame with being amongst their first true champions of their work. “In the first few years, there wasn’t a real lot of interest in us, especially in our own back yard,” James said. “But thanks to word of mouth from Midori and Craig especially, we really started to develop a loyal following and customer base.”

The quality of their product line has obviously and dramatically improved. Some of their more popular pieces – printed tops, their in-demand “Reverend” Bondage Skirts and a variety of mind-boggling dresses – have garnered attention in some very high profile camps. Their designs have been featured prominently in the Japanese edition of Vogue (Vogue Homme) magazine, and thanks to the enthusiastic endorsements of an admired and in-demand fashion stylist named Nicola Formichetti and the highly-respected fashion photographer Stephen Klein, orders have been placed for no less a talent than Lady Gaga for product that was to be seen in one of her over-the-top popular music videos (Bad Romance). Some of the Ego Assassin pieces were even targeted for use in some of Lady Gaga’s live stage performances.

Good stories about good, talented people usually end with a typically cliché commentary about the past. It cannot be said, though, that “the rest is history” in this particular instance: Ego Assassin is still revolutionizing the latex fashion industry and have started making history. You’ll be hearing about them for a long, long time to come.

Kardynyl SynysTyr

(All Photographs courtesy of Ego Assassin)

Torture Garden Redux: Five Days of Flesh and Fantasy in May

Madness!  This love was a part of me, like my own flesh; it had taken the place of my blood and marrow; it possessed me entirely; it was I! ~ Octave Mirbeau, The Torture Garden, 1899

Brace yourselves, rabid and feverish fetish party enthusiasts. The seeds that were planted last summer have taken root, and they are growing. Those roots are strong; as strong as the finest Japanese bondage rope, and they run about as deep as any exploration of individual desire would dare to descend.

The mind-exploding fetish party experience, known universally since 1990 as the exotically-named Torture Garden, makes its return to Toronto – and just in time to help devotees celebrate the May long weekend. In a somewhat appropriate yet potentially risky move, the venerable old franchise started over a decade ago by the British DJ “pair extraordinaire” David Wood and Allen Pelling has been expanded. This year, Torture Garden Toronto has evolved from a single evening’s festivities into an entire, exhilarating long-weekend of flesh, fantasy, revelry, indulgence and ecstasy.

The main motivating force behind bringing the legendary DJ pair and their franchise festival to Toronto, Craig Galbraith, is no stranger himself to organizing a large-scale “good time” for the over-all benefit of North American fetish party enthusiasts. For several years, he has been one of the prime (and most popular) event organizers in Canada’s largest city, and he is the tireless, brilliant mind behind the wildly-popular monthly Subspace Fetish Nights in Toronto. His efforts have become so admired (and so adamantly supported) by a good percentage of the gargantuan Toronto-area fetish scene that he’s generally and simply known as either just “Craig” or, more playfully familiar if not somewhat colloquially as “Craiger”.

“I’m just a regular guy who really just loves to throw parties”, Craig has been quoted as saying on more than one occasion. “I’ve only ever wanted everyone who wanted to come out to simply have a great, great time.”

Craig’s evolution as a major event organizer certainly mirrors that of his Torture Garden “mentors” David and Allen. His events started simply enough, with small gatherings in intimate settings either in private abodes or in much, much smaller nightclubs. It wasn’t long before demand, however, made him realize that he was soon going to have to look for ever-larger digs in which to satiate the rapacious appetites of his patrons. “Each time we held a party, they got more and more popular and even more in demand,” Craig said. “We needed to get larger venues just to accommodate everyone who wanted to come.”

The need for larger space eventually evolved into his well-patronized, exceedingly popular Subspace nights, held once a month at one of Toronto’s largest tri-level nightclubs (the legendary Toronto landmark nightclub, The Big Bop, which sadly closed its doors, forever, earlier this year). And yet, the demand for even greater bacchanalian and hedonistic pursuits still continued to clamor ever louder. Craig wasn’t entirely sure exactly what, let alone where, his ever-burgeoning party plans would allow for the accommodation of all who demanded entrance through his doors. It was sometime during the early months of 2009 that Craig realized the solution: he would organize another gathering, in a different location, and give the alternative crowds exactly the mystical, frenzied and adrenaline-fueled atmosphere they were collectively demanding.

Enter Dave TG and Allen TG – the aforementioned Messieurs Wood and Pelling, of course. Without going into a dissertation on the negotiation process involved that would eventually land the Torture Garden franchise in Toronto, suffice to say the first TG event (held at a venue known as The Opera House) in the summer of 2009 was, by all reviews and reports, nothing short of a runaway, smashing success.

Naturally, Craig’s crowds still demanded more. While other event organizers, in any community in any town in any number of countries, are undoubtedly envious and would give their metaphorical left arm to have the kind of “problem” that Craig has, it truly is a testament to the work ethic, dedication and drive that Craig has to simply give the “people exactly what they want.” What he decided to do wasn’t revolutionary by any means. Other event organizers were putting their names to more than one event on a regular basis: why couldn’t he do the same? The biggest difference, of course, being that for all intents and purposes, other events produced by other organizers tended to be rather viewed as virtually the same party, but slapped with a different name, or “theme”. There were exceptions to that, of course: Northbound Leather’s fetish nights (the longest continuously running fetish event in the world) and Sir Alex Dark’s monthly gatherings have always pushed the envelope in Toronto when it comes to keeping large-scale parties exciting and fresh. But Craig knew he had to do something a little bigger, with a little bit more of a “bang”, in order to once again raise the bar on his own uncompromising level of quality.

Striking a deal with the Torture Garden franchise, one which hadn’t quite been embraced by North American audiences in some large American cities with same degree of enthusiasm as their European counterparts, certainly managed to turn more than a few skeptical heads. Craig himself wasn’t quite sure what to expect as the initial 2009 Torture Garden Toronto event marched inexorably towards its debut date. He needn’t have been too worried: The Opera House was full of locals from every part of the Greater Toronto Area, and had attracted a sizeable crowd of attendees from not only all over North America, but from Europe and other parts of the globe as well. By all accounts, Torture Garden Toronto in 2009 was an unmitigated, unquestionable success. No sooner had Torture Garden Toronto 2009 ended, that the demand (of course!) for more started from the masses.

Thus, Craig being the man he is, he felt compelled to have to raise the bar one more time in 2010 and immediately began laying the groundwork for what very well may prove to become his magnum opus: an entire Torture Garden Toronto weekend. Instead of staging the event during the summer as he and his TG compatriots did a year ago, Craig moved the entire show to May in order to take advantage of a statutory long weekend. The festivities will commence with an Industry Night Martini Party at Toronto’s Club Nocturne on Thursday, May 20th, and wind up an almost-unbelievable four days later on Monday, May 24th with a late-afternoon “wine and cheese wind-down” at a venue known as Café Taste in Toronto’s trendy Queen Street West neighborhood.

It is the Friday, Saturday and Sunday evening scheduled events, however, which are sure to cause the most reverent discussions long after the weekend has come to pass. On Friday, May 21st, in a private location, the official Launch Party will take place as an enticing “warm up” to the rest of the weekend’s festivities. Saturday evening, May 22nd, features the main event at The Opera House (735 Queen Street East). Three of Canada’s most respected and beloved spin doctors – DJ’s Lazarus, Pale and Prospero – will be joined by the aforementioned founding musicologists, David TG and Allen TG, in serving up an enticing and inciting wall of sound: an appropriate enough and perfect companion for the visual, intoxicating “torturous” displays that are sure to assault the eyes, and senses, of every attendee.

In addition to up-and-coming local Japanese bondage artist Lotuslily performing her jaw-dropping solo Kinbaku sets, the stage will be graced by the likes of world-popular fetish performers Satomi, the Tokyo Love Doll and Florida’s popular latex performance artist Rubber Doll. The much-sought after rubber garment designs of Kaori’s Latex Dreams will command people’s attentions during the fashion show segment of the evening’s performances, and Vivid Angel (described as “Freak Show Royalty” by some publications) brings her 10 years of experience as an exceptional vaudeville-style performer to the Torture Garden stage, and the mind-blowing hooks-and-suspension troupe I Was Cured will be doing their best to make audience members cringe in awed respect (and delight) with their high-flying flesh and metal aerial displays. Back as well for a second year is the amazing body painting artist ARK Angel, who has single-handedly raised the fetishistic practice of tribal and animal-like body art to atmospheric levels of appreciation amongst die-hard party-goers. There certainly should be more than enough eye and ear candy to gorge one’s self on, Saturday night alone.

As if a high-octane Saturday evening wasn’t enough, The Opera House will once more swing open its doors on Sunday, May 23, for an evening of “Medical Mayhem”. The expected dress code and the (scheduled performances) should be fairly self-explanatory. Whether Torture Garden guests are contentedly trying to recover from Saturday night’s debauchery, or merely getting wound up to a fever pitch for more, both Saturday and Sunday feature a series of seminars (to be held at two different locations on respective days) that can offer interested parties a little of the usual kind of instruction one would expect from such educational presentations – and a little of the unusual, as well. One of Sunday’s seminars in particular appears to be geared more towards the “Medical” theme that encompasses the evening’s “mayhem” to come.

It is true that Craig certainly has an enormous amount of planned delights for his guests during Torture Garden Weekend. What might be surprising to those contemplating purchasing tickets to any one night will undoubtedly be somewhat shocked to realize that prices are far from prohibitive. Even three-night passes and all-inclusive VIP entrance badges are exceptionally reasonable, price-wise. “We have never-before seen in Canada performers, over 20 acts, and several excellent locations that will make Torture Garden Toronto a ‘can’t miss’ event”, Craig said. “Toronto’s Fetish Weekend is going to be what it was intended to be: a fantastic party and a hell of a good time for everyone! It was important to keep the cost of tickets and passes reasonable so that everyone who wanted to come out and experience something new could really afford to do so.” The top-level pass, the all-inclusive VIP badge, includes access to all nightclub events, all seminars and even the “after parties” – and at a considerably less price-point than other large-scale events of a similar nature. Those who are wavering as to whether they wish to attend one or more of the scheduled events may wish to spend some time on the website, and allow the excellent selection of images and videos to help weigh their decisions. Truly, only the annual Northbound Leather event every fall in Toronto ranks with Torture Garden when it comes to spectacular stage and fashion shows, outstanding performances, and especially the dizzying range in personal selection of fetish attire by the prodigious and visually-theatrical guests at large.

Out of town attendees can still find rooms available at the host hotel, Toronto’s Sheraton Centre Toronto Hotel located at 123 Queen Street West (directly across the street from Toronto’s space-age, landmark City hall complex). A full schedule of events, performers, seminars and information about “after parties” and any other assorted, necessary information can be found by visiting the Torture Garden Toronto website. Tickets for any, or all, of Torture Garden Toronto Fetish Weekend are available for purchase directly through the website or for pick-up in person at Northbound Leather at 586 Yonge Street in Toronto’s downtown central core.

After reaffirming that the entire enterprise truly has been a venture “for the people by one of their own”, Craig was asked just how he expected to be able to metaphorically “raise the bar” for next year’s event (and there is sure to be one). “Oh, I’m more concerned with making sure everyone has a fantastic time this year”, he said.

“But, I’m sure I’ll think of something!”

(All photos courtesy of Torture Garden and Torture Garden Toronto.)

Sabina Kelley – burlesque dancer & pin up model

CMW3Erik von Gutenberg recommends Sabina Kelley. An international pin up model and burlesque star!

She specializes in Pinup, Fashion, Glamour, Fetish, Swimsuit, and Lingerie style shoots. Sabina:

I’ve been modeling professionally for 7 years and I’ve worked with some of the best photographers in the world including David LaChapelle and famous Pinup photographer Bunny Yeager. When I’m not modeling, I’m dancing. I’ve been dancing since I was 2 years old, and am trained in ballet, tap, jazz, hip hop, and pointe. I went from a small town ballerina to a big time Las Vegas Showgirl. I was a Showgirl at Ballys Hotel in Jubilee for 2 and a half years, and I’m currently a burlesque dancer that travels the world performing.

I am a heavily tattooed model and known very much for being the spokesmodel for tattoo conventions worldwide, and for being on the cover of numerous tattoo magazines. While some people love my tattoos there are people who would rather hire me without them. As of right now, I have two full sleeves. So I can wear long sleeves and make it look like I have no tattoos.

I also write my own Pinup article for each issue of Car Kulture Deluxe Magazine called “Pin Down Pinup”. If you want to learn more about the Pinup scene, my thoughts and opinions check out the magazine at www.CKDeluxeMag.com. If you have a suggestion or questions for me for my layout feel free to send me an email.

If your interested in Booking Sabina, for either Modeling or Burlesque, please go to her website and you can contact her:

http://www.switchbladestilettos.com/index.php

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Sabina Kelley – burlesque dancer & pin up model

CMW3Erik von Gutenberg recommends Sabina Kelley. An international pin up model and burlesque star!

She specializes in Pinup, Fashion, Glamour, Fetish, Swimsuit, and Lingerie style shoots. Sabina:

I’ve been modeling professionally for 7 years and I’ve worked with some of the best photographers in the world including David LaChapelle and famous Pinup photographer Bunny Yeager. When I’m not modeling, I’m dancing. I’ve been dancing since I was 2 years old, and am trained in ballet, tap, jazz, hip hop, and pointe. I went from a small town ballerina to a big time Las Vegas Showgirl. I was a Showgirl at Ballys Hotel in Jubilee for 2 and a half years, and I’m currently a burlesque dancer that travels the world performing.

I am a heavily tattooed model and known very much for being the spokesmodel for tattoo conventions worldwide, and for being on the cover of numerous tattoo magazines. While some people love my tattoos there are people who would rather hire me without them. As of right now, I have two full sleeves. So I can wear long sleeves and make it look like I have no tattoos.

I also write my own Pinup article for each issue of Car Kulture Deluxe Magazine called “Pin Down Pinup”. If you want to learn more about the Pinup scene, my thoughts and opinions check out the magazine at www.CKDeluxeMag.com. If you have a suggestion or questions for me for my layout feel free to send me an email.

If your interested in Booking Sabina, for either Modeling or Burlesque, please go to her website and you can contact her:

http://www.switchbladestilettos.com/index.php

index_01

Anastasia Pierce at Fetish Con

Erik von Gutenberg recommends Anastasia Pierce, the super fetish model from Los Angeles! She was stunning again at Fetish Con in Florida and it is always a pleasure to meet her and find out about her latest projects!
The special good news is that we can welcome her at the VON GUTENBERG Fetish Ball presented by Mister S and madame S San Francisco and Marquis America, December 5, supperclub San Francisco at 9pm! show up and see Anastasia!

Visit www.vongutenbergfetishball.com for details what is happening at December 5 in the supperclub in SF!

Anastasia Pierce at Fetish Con

Erik von Gutenberg recommends Anastasia Pierce, the super fetish model from Los Angeles! She was stunning again at Fetish Con in Florida and it is always a pleasure to meet her and find out about her latest projects!
The special good news is that we can welcome her at the VON GUTENBERG Fetish Ball presented by Mister S and madame S San Francisco and Marquis America, December 5, supperclub San Francisco at 9pm! show up and see Anastasia!

Visit www.vongutenbergfetishball.com for details what is happening at December 5 in the supperclub in SF!